Saturday, May 21, 2011

Vivian's Vortex of Discontent




The Bowl 'n Roll's main business is bowling, but within the confines of the establishment, a dimly lit tavern and a sandwich counter add to the glamor of the bowling alley experience. Redondo, the sandwich maker who has taken sandwich making to a new standard, has a gold capped tooth that lights up his friendly smile against a neon Pabst Blue Ribbon sign.

It's not just me, lots of people have discovered Redondo's sandwich-making abilities. At lunchtime, people are lined up three deep around the counter, waiting for his specialty creations, each one named after a different bowling term: The Strike, The Spare, The Ten Pin, The Railroad, The Turkey, The Lucky Shot, The Crawler, and my favorite, The Gutter Ball. Often, the purchases are made to reward or insult a bowler. Like one time, a guy ordered a Gutter Ball for everyone on the opposing bowling team, hoping, amid howls of laughter, the culinary prophecy would jinx their games.

I don't bowl, but Redondo's sandwiches have become a part of my dietary regimen, so I guess you could say I'm a regular at the Bowl 'n Roll, regular enough for Redondo to greet me with, "Hello my friend, Gutter Ball un momento." There's other regulars aside from the sandwich regulars like myself. There are, of course, the bowling regulars, and then there's the tavern regulars. The tavern regulars often mix with the sandwich regulars as the sandwich counter extends into the bar, and one particular tavern regular perches on the bar-stool closest to the sandwich cash register so she can divide her exposure between the two groups. Her name is Vivian, a little too much lipstick, a little too much Vodka, and a steamer trunk full of opinions.

Vivian has been a fixture at the Bowl 'n Roll since 1978, the year her bowling team, The Alpacas, took the alley championship. There's a plaque in the entryway "to prove it, if you have any doubts." She waves her ice-filled glass in wide, circular gestures while offering her odious commentaries. Vivian is disagreeable and often times downright nasty, but the truth is I'm drawn to her like a moth to a flame, even though it's always me feeling scorched. As soon as Vivian begins one of her barb-filled bombasts, it's like a carnival barker calling, "Step right up, right this way sir, don't be afraid, come listen to Vivian's Vortex of Discontent!" And I'm drawn in every time, like wanting to see the bearded lady but knowing I'll be sorry later and pay the price with a series of nightmares.

All these conversations take place amid the background crackle of tumbling bowling pins. Vivian's favorite response to anything that doesn't please her is, "Oh, give me a break." This phrase discounts all those who don't measure up to her standards. Once, I mentioned Bob Dylan, and she broke into something about how Sinatra was the only singer worth mentioning in her presence. "Bob Dylan," she said with a wave of her glass, "Give me a break."

In an effort to limit my exposure to Vivian, I've been getting my Gutter Ball sandwiches to go, but while waiting, I find myself being sucked into the eddy of her vortex. The other day, she went on a tirade about how there's no such thing as global warming, and when I tried to explain about the polar ice caps melting, her response was, "Warming schwarming, give me a break."

Lately, she's taken to calling me "honey" in a tone that's anything but endearing. After our disagreement about which color M&Ms possess the qualities of an aphrodisiac, she slurred her final remark, "Listen here, honey, it's the yellows, but don't get any ideas; I have a boyfriend who could squash you like a bug," followed by a demonstration with her thumb mashing an imaginary insect on the bar (It's possible the bug may not be the only imaginary thing in Vivian's world).

Once, in an effort to build a bridge of friendship, I bought Vivian a drink, but it had the opposite effect: "What, you think you own me or something, just 'cause you bought me a drink? You bongo-playin' types got nerve. Give me a break." Even when I agree with her, I'm curiously delegated for blame, like when we both mourned the loss of Pluto's designation as a planet, I was reprimanded, "You and your fancy-assed telescopes couldn't leave well enough alone."

This whole unstable relationship is as much about my own culpability as it is Vivian's. If it weren't for Redondo's fine sandwich making, I might be able to end this sour flirtation with her. But several times a week, I pull open the doors of the Bowl 'n Roll, and my arms flail wildly and I spin around, helplessly caught in the swirling vortex of Vivian's discontent.... and somehow, knowing it'll end with a Gutter Ball, it seems okay; a risky road worth taking.

I forgot to mention that each sandwich comes with a complimentary, medium-sized pickle.

Saturday, May 14, 2011

Ten Years of Fake Laughter


Alanna was a charming woman who graced me with her presence for ten years. I say it was nine, but she claims it was eleven, so we settled on ten, though some people say it was probably only nine, but because she endured my irregular flirtations with lucidity for so long a time, it felt like eleven to her. When we parted, she said that she never quite understood my sense of humor, and that, for the entire ten, nine, or eleven years, she laughed at my comments just to be polite.

I asked her why she didn't say something sooner, and she claimed she was being kind and didn't want to hurt my feelings. She had this peculiar laugh, like a barking seal, that could only be heard when she was inhaling air at the end of a long protracted silent bout of laughter. So I asked her if that quirky laughter was real, and she said that she often faked it, the way some women fake orgasms to keep the relationship on an even keel.

This was many years ago, and to tell you the truth, I've never completely recovered from this revelation. I used to think I knew what was funny, but for quite a long time, I've often been left wondering whether something was funny or not and whether people are laughing at me or with me. Sometimes, when I'm telling a story, people start laughing, and I wonder what they are laughing about, but I keep on telling the story because I think it's a good story but not necessarily a funny one.

I'm not a joke teller. I can't remember jokes. Some people have a Rolodex of jokes in their heads, but as my friend, Eva Gleckler, the comedy critic who has honed her expertise from many years of unfulfilled dating, says those people are not funny, they just have good memories. And I think she's right. There's a surly guy across the alley, Earl Swonk, who only bothers to shave when the V.F.W. holds their monthly fish fry. He's built like a fire plug and has a heavy-footed, deliberate walk, like a robot ready to stomp out miniature villages of tiny people. He's more than a little rough around the edges, and I think some people would say he's downright scary. He's definitely not funny, but he has more jokes logged in his head than fifty comedians. Give him a topic and he'll break into a series of the most off-color, politically incorrect jokes you ever heard. He remembers them all. That's not me; I get everything twisted around in the retelling so that, not only is the joke no longer funny, but I have to backtrack and explain the part about the Norwegian guy that I forgot to include in the first part of the joke.

Many times, when I watch movies labeled "comedies," they don't seem funny at all. Some are quite good, but they often seem tragic and sad, and I have honest empathy for the characters and their troublesome situations and am reminded of either myself or friends in similar circumstances.

And now, when I'm with a group of people and they suddenly break into a fit of laughter, I wonder who among them is fake-laughing and whose laughter is genuine. There should be a laughter-detector kit for these circumstances; it would be a big help for people like me. I just don't know anymore; since Alanna's departure, my comedic sense has been disheveled, and I'm thinking the joke has been on me. Ten, nine, or eleven years is a long time to live, unknowingly, with fake laughter.

I recently saw the lovely Alanna at the annual gathering of the Midwest Gourd Society, the colorful, handicraft-horticultural club where we first met. She barely acknowledged my existence, but when we spoke for a moment, I tried to work one of Earl's jokes into the conversation. She just stared at me with a blank expression on her face and said, "The cake is really good this year," and turned and walked away.
I shouted after her, "I forgot about the Norwegian guy in the beginning!"
But there was nothing, not even a polite, sympathetic, quirky bit of laughter, only a disapproving, "Oh brother," as she disappeared into a crowd of friends gathered at the gourd accessory table.

I wonder if Alanna has been fake-laughing at her present husband's jokes or if he even suspects any disingenuous behavior. Perhaps he's the serious type like Perry Mason, and there's no need for the faux-laughter. Or maybe he's just so darned hysterical that she can hardly contain that quirky laugh. Or maybe he's one of those genius inventor-types and, in his spare time, concocted a fake-laughter-detector that not only monitors the integrity of Alanna's laughter, but alleviates the burdensome chore of remembering the placement of the Norwegian guy.
I just wonder.

Wednesday, May 4, 2011

Thirsty Dreams


Betty the cat steers the rudder of our home. She, along with the rest of the household, just barely tolerates my presence. I'm pretty much allowed to go anywhere in the house but often times get a snake-eyed warning or a hiss for reasons that elude me. At night, Betty sleeps on my wife's side of the bed and occasionally opens one eye as if to say, "Don't try anything, buster. I'm watching you."

Every evening, I place a standby glass of water on the nightstand on my side of the bed, as occasionally, a dream will induce a powerful thirst, worthy of immediate quenching, and it's nice to have a beverage handy during these emergencies. Often times, a small sip of water will suffice, but during one thirsty dream, I awakened so desperately parched that I not only drank almost the entire glass of water, but splashed my face with the remainder. It was the dream where the very selfish Ann Coulter and I shared a life-raft adrift on the Pacific. She had a water bottle and refused to share even a drop, and proceeded to yak on and on about what's hers is hers and not wanting any of my left-leaning slobber. She laughed after suggesting I get out of the sun by sitting in her shadow (which had all the substance of a spaghetti noodle, almost no shadow at all). The thirst, the blistering sun, and the non-stop jabbering nearly drove me overboard til awakening safely in my room.

The thirsty dreams occur on a regular basis, and after a drink of water, I can usually fall right back to sleep. But last night, after a very thirsty dream involving Drew Barrymore, something unexpected happened. Drew and I were lost in the desert, brought there by our participation in one of those Hollywood scavenger parties. We'd been searching for Ozzie and Harriett memorabilia when we wandered off the beaten path. During the ordeal, Drew conducted herself like a lady and was almost apologetic while discarding several articles of clothing, revealing tattoos that not many people know exist. The unforgiving desert sun, along with Drew's tattoo revelations, caused me to startle awake and reach for the water glass, which, to my dismay, was occupied by Betty the cat, slurping and splashing like a riverside baptism.

Maybe Betty has these same thirsty dreams, but she has her own water bowl in the kitchen. Nevertheless, I patiently waited in the dark and watched her fall nonchalantly back to sleep, thoroughly refreshed, while I stayed awake, parched like an old saltine, wondering how many times we've shared the same glass of water.

In the morning, I questioned my wife about Betty's late night water excursion:

--Her: Oh, she's been doing that since she was a kitten.
--Me: So, you're telling me that for the past three years, Betty and I have been drinking from the same glass?
--Her: I suppose. I thought you knew.
--Me: If I knew, why would I drink from the same glass?
--Her: I didn't think it bothered you.
--Me: Drinking cat slobber bothers me.
--Her: She's probably cleaner than you. She's constantly grooming herself.
--Me: Yes, I've seen how she cleans her private parts, and then we share a water glass. At least I have the decency to use toilet paper.
--Her: Thank god for that.
--Me: I'm feeling woozy.
--Her: Think of it this way: it's her way of accepting you, a common bond. You should be complimented.
--Me: Should I return the acceptance by using her litter box?
--Her: Don't be silly.
--Me: I’m telling my doctor I've been drinking cat slobber. Maybe there's a special test and some medication to wipe out the cat cooties that are crawling through my body.
--Her: Now you're being ridiculous.
--Me: I'm woozy.
--Her: It's all in your mind.
--Me: OK, give me a kiss.
--Her: Not so fast, Romeo; you've been drinking cat slobber.

And so the romantic avoidance continues, only this time it's for the very legitimate excuse of unhygienic cat slobber. The possibility exists that I'm permanently cootied. A levelheaded call to a responsible medical practitioner should tell me how long it takes for cat cooties to wear off. I'm hoping the doctor can steer me towards a twelve-step, cat-slobber-sharer program where commiserating with other cat-cootie-carriers is a dignified road destined for healing. From now on, though, I'm bringing a water bottle to bed, something I won't be obliged to share with noodle-shadow Ann or Betty the cat, but Drew, oh sweet Drew, can have a sip anytime she wants.

Saturday, April 23, 2011

Safari Car Salesman


The other day my wife and I went out shopping for a car. I was thinking about a Jeep because it's very basic, nothing fancy or gimmicky about a Jeep, a no nonsense kind of vehicle. It does what a car is supposed to do, get you to your destination without all the overindulgent extras which, frankly, I find embarrassing and confusing. None of those little clicker things to start the car; real keys for a Jeep. If Henry David Thoreau were alive today and he needed a car, I'm almost certain he'd chose the simplicity of a Jeep. And they're made in America by good old hard-working auto workers in Ohio.

So we paid a visit to Randy's Wrangler Land, as pitched on late night TV by the always enthusiastic Randy with his cowboy hat and his endearing liquid speech mannerism, encouraging viewers to "wasso a deal at Wandy's." I secretly applaud him for having the temerity to appear on TV, dressed for a rodeo, all the while knowing he sounds like Elmer Fudd, so I'd promised myself that one day, in honor of Randy's unabashed pluckiness, I'd purchase a car from him.

It appeared to be our lucky day: it was Wrangler Round-up Day, and Randy was there to emcee the festivities. There was free beef jerky and coffee for everyone at the "chuck-wagon" (a cafeteria table with a cactus plant), and to top it off, a lanky guy with long sideburns and a black cowboy hat was performing rope tricks on the hour.

We were met in the showroom by a stout fellow whose every step was a swaggering dare to try and knock the imaginary chip off his shoulder. He wore khaki shorts, a khaki shirt with epaulets, and a safari hat; ready to bag some big game. He shook my hand and squeezed it like he was trying to get lemon juice out of it. He said to call him Safari Duke. My wife whispered how pleased she was to meet an actual Duke, regardless of the adventure, while I was trying to decide if we were on a round-up or a safari, but I let it go, figuring any costume is better than none at all.

Right away he asks what we do for a living. My wife tells him she's an art teacher. Then he jumps into this whole story about how he's an art teacher too. He teaches martial arts, and goes on to explain how he can throw a guy like me over his shoulder and twist my arm and have me yelling "stop" in a matter of seconds. To which I casually mention that he could urinate on my shoe and get the same effect with much less trouble. The Duke was not pleased and got a little red in the face, and it was all too apparent his day would be complete if he could not only make a sale, but practice some of his martial arts moves on me.

I tell him that I want a Jeep because it's the kind of car an Amish family would drive if they bought cars. Then he puffs his chest out and tells us that this is the car that won the big one, WW Two. "A Jeep has guts," he says, and continues, "Those Amish, they don't fight, do they?" My wife tried to explain that when they don't like someone, they shun them. Then he says everyone in his martial arts club abides by a code of strength, leverage, and unbridled patriotism, and they all have Jeeps, and offers to arm wrestle the both of us for a big discount. I suspect this is just a ruse to make me look bad and hold my wife's hand. Or maybe he'd let me win and make me feel like I'd gotten a discount when, in fact, I really hadn't. Either way, I wind up looking like a goof. Besides, I'd absentmindedly left my safari hat at home, a big disadvantage.

Then he points outside, "That's my rig, the one with the over-sized tires." And I'm reminded of the old addage, "big tires, little feet; little feet...," but I erase the thought and, instead, ask about the free "Color Me Beautiful Makeover" with the purchase of a Jeep, and he doesn't think it's funny but offers to take us on a test drive in the big mud pit out back. Feeling that the offer is more like a threat, we decline. Then he brazenly implies that maybe we aren't Jeep people. "Jeep people," he says, "Make up their minds in a hurry and support the old red, white, and blue." But I tell him that I'm just a flush toilet shy of being Amish; I don't even like power windows and would just as soon have the roll-up kind. My wife pulls my arm and begins to walk away, and The Duke asks where she's going.
"Shunning," she says, just as the rope trick guy is warming up.

So we're sticking with our present car for now, but I would have liked to have stayed to see the rope trick guy. His name was Lasso Larry from Laredo, and Randy was just about to introduce him as we walked out the door.

Saturday, April 16, 2011

The Reenactment


"The Grey Ghost rides," words I hadn't heard in decades. And there he was, Ray "One Toke" Tribble, waiting in line at Happy Foods; a big smile on his face, extending his arms to give me a big how-you-been hug. "Where you been, man," he said. "We all figured you stayed in California after the bust. What a trip. You gotta hook up with us for the reenactment next week; the guys'll flip out. It'll be the original crowd. We meet every year. Me, Koon, Buggs, Gooby, Panda, and now with you, Hooper, it's complete! The Grey Ghost rides!"

No one's called me "Hooper" in many years, a name bestowed upon me by a well-meaning elderly couple who mistakenly thought it was the term for "hippie." The anointment happened while waiting in line to pay the cashier at Scott's Diner; the elderly man turned to his wife, pointed at me and said, loud enough for everyone to hear, "Look, it's one of them hoopers!" Ray's ebullience at the off-the-cuff proclamation was as infectious then as it was now about the reunion, so I agreed to being a participant in the reenactment. I knew a little about the Civil War, and had heard about these events, but mostly it seemed like an enjoyable way to reconnect with some old pals and maybe learn a little American history.

Before departing, Ray said to meet at noon on Saturday in the parking lot of the Hot Dog King, our old teen-aged hangout (which was now a Shoe Carnival) and was very emphatic that everyone dresses for the period. "Look for the Ghost. It's been completely restored," he said. The Grey Ghost was Ray's 1948 Plymouth sedan, a thirty-five dollar junker with suicide doors, a back seat big enough for a horse, and a grey paint job so badly faded that it appeared to be the ghost of a car. It was big and round, almost cartoon-like. Some people mocked it and called it "The Egg," but to us, it was The Grey Ghost, our proud, uncool wheels. Unbeknownst to us at the time, The Grey Ghost was the name given to a leader of a small band of rag-tag Confederate soldiers. Coincidentally, the moniker couldn't have been more fitting; the six of us were an assortment of hopeless misfits who happened to find each other in a high school filled with highly-driven over-achievers. Even an amateur fortune-teller could have predicted the bunch of us juggled futures befitting most carny-folk.

Ray got the name "One Toke," because he was responsible for driving, and sometimes, when he'd had more than a single toke, the Ghost could be found the next day, parked in a vacant lot or at the Hot Dog King, waiting to be retrieved by a refreshed, tokeless One Toke.

The anticipation of the reenactment colored my every day, wondering how the guys turned out and if I'd fit in with their Civil War pursuit. I didn't want to appear uninformed, so every night was filled with studying about the war, and I made a concerted effort to rent a proper period uniform. When asked by the clerk at Arley's Fantasy Costumes, which side, North or South, I hesitated for a moment before answering, "South." After all, there was a connection (however unintentional) to the Confederate General, John Mosby, The Grey Ghost. And frankly, I never believed for a moment that a geographic line through the country separated those who cared for the rights of Black people and those who didn't. And besides, I was going as Johnny Reb, in honor of those dirt-poor Southern boys who never owned a slave nor had any intention of owning a slave, but got caught up defending their small patches of ground.

By Saturday morning, I was transformed into Johnny Reb. Sporting a slight Southern accent, dressed in a full, action-ready Confederate soldier uniform, complete with a battle sword strapped to my waist, I headed out, ready to lay down my life at the Shoe Carnival. And there, in the far corner of the former Hot Dog King parking lot, sat the Grey Ghost, in the same spot where it could have been found on any given Saturday night many years ago. My sword scraped the pavement as I approached the car, and as I reached for the door handle, out popped all five guys: One Toke, Buggs, Gooby, Panda, and Koon, a bunch of rag-tag looking hippies in tie-dyed t-shirts, fringe jackets, and bell bottoms. There was lots of dude, how-you-been's and welcoming hugs and offerings of alcoholic beverages. Then finally, the question: "Hooper, dude, what's with the uniform, the Civil War's been over for a hundred and fifty years!" followed by heaps of laughter.
My Southern accent quickly dissipated into the embarrass-phere, "One Toke said this was a reenactment, and I came prepared to be historically accurate."
Koon, usually not the benchmark of diplomacy, said, "Yeah, it's a reenactment, a reenactment of our big bust, right here on this very spot. Remember, the weed, the beer, the cops, or has your service in the Civil War clouded your memory!" Again, a round of laughter.

Yes, I did remember the bust, the first, but not the last, smudge on my permanent record. And now, the photos of us posed around the newly restored Grey Ghost, five hippies and one Confederate soldier, serve as evidence of how time passes but friendships are not forgotten. Long live The Ghost.

Thursday, April 7, 2011

One Number Off


For six years, I've been one-number-off. Danger Dan's Army Surplus store has a phone number that is one digit different from mine. There's a world of dyslexic dialers who constantly call and ask for directions, prices, and discounts; you name it, if it's related to Danger Dan's's inventory, I've heard about it. Saturday mornings brings the misdialers out en masse. Often, even after I've told them they have the wrong number, they continue with their requests about the cold-rating of the sleeping bags and the capabilities of the gas-masks.

After six years of offering the correct telephone number and sometimes assisting customers with directions to the store, my patience was growing thin, especially with the callers who chose me to complain about the quality of the merchandise at Danger Dan's. I mentioned my problem to Dan (who seemed more salesman-slick than dangerous), and he suggested I change my number. I informed him that I've had the same number for twenty-five years and occasionally get a thank-you call from Brenda Lee (in response to the practical gifts I send on her birthday; she loved the tube socks). And once, I got a return call from Connie Stevens when she had that TV show selling jewelry. I've mentioned, on numerous occasions, to both of those lovely ladies that I'm always here for them. And I'm not risking missing their calls by changing my number, should either one feel the urgent need to speak to me late at night. Dan was unsympathetic and offered nothing more than a shrug of his slippery shoulders.

Early one Saturday morning, a surly fellow called and woke me with a staccato of expletives, pushing me over the sleep-deprived edge:

--Me: Hello?
--Caller: Your kayak is sh*t!
--Me: I don't have a kayak.
--Caller: Of course you don't, you know how f***ing bad they are!
--Me: What if I told you you don't know how to dial a phone?
--Caller: I'll come down there and stick this phone up your ass!
--Me: What kind of Kayak did you buy?
--Caller: The inflatable rescue model.
--Me: What's the problem?
--Caller: It takes forever to inflate, and it's too slow. I got passed by a duck.
--Me: Well, when motivated, ducks can paddle like the dickens.
--Caller: No f***ing duck is gonna pass me! I want my f***ing money back!
--Me: I understand completely. Pack up the kayak, paddle and all, bring it to the store, and you'll get everything that's coming to you.
--Caller: I don't want some f***ing store credit!
--Me: At Danger Dan's, the customer is king. In fact, let me make a note to make you a "Danger Dan's Diamond Customer."
--Caller: What the hell is that?
--Me: A Diamond Customer has the right to return anything for a full refund, regardless of how long you've owned the item.
--Caller: I have some f****d-up hiking boots that are a few years old.
--Me: Pack 'em up with the kayak.
--Caller: What about the tent I bought five years ago. It has a big-ass rip.
--Me: Every purchase is guaranteed for life for Diamond Customers. Bring in the whole kit and caboodle.
--Caller: Do you expect me to find a f***ing receipt for the tent and boots after all these years?
--Me: Sir, you're a Diamond Customer. Your word is good enough for Danger Dan.
--Caller: I'll be right f***ing over.
--Me: Don't forget to ask about "Camo Gal."
--Caller: What the hell is that?
--Me: It's the ultimate camping companion, a life-size inflatable girlfriend, perfect for those long camping trips when loneliness can get the best of an outdoorsman. And it inflates quicker than that kayak, I can guarantee you that.
--Caller: No f***ing way!
--Me: We are required to keep Camo Gal behind the counter, so you'll have to ask for it when you're at the store. There's a model with heated lady parts that's very popular with ice fishermen. It's UL approved, so don't worry about that. Right now, it's on sale.
--Caller: I'll be right over!
--Me: You're the kind of customer that makes us pay attention to quality. Thank you for shopping at Danger Dan's, and don't forget to ask for Camo Gal. If she doesn't work out, she's f***ing returnable.

Sunday, March 27, 2011

Wendy's Cakes


Every so often I stop in at Wendy's Cakes. It's a small shop that makes all sorts of fancy cakes for any occasion. Wendy Windbigler is the owner and cake decorator. There's a couple of guys who do the baking, but Wendy is always there to put the finishing touch on her creations. Sometimes I'll buy a small cake, but the real draw is Wendy. Her left leg is tattooed with cat-tracks that start at her ankle and go up to who-knows-where. And one of her ears has so many piercings, it looks like a pincushion. She's a former bike messenger, and as it happens, we have much in common: fondue, and our favorite part of a popsicle is the stick.

Wendy doesn't mind chatting while she works, and it's not uncommon for us to have long conversations while she decorates her cakes. One day, she was especially proud of her design and asked me to take a look. It was a stunning piece of work, with green leaves, stems, and vines wrapped in all their frosted glory around the cake. It was for the birthday of a woman who was an avid gardener. It honestly looked too good to eat, and while I was admiring it, I noticed something vaguely written in the design. Among the twisted vines, it seemed like one of the vines spelled "grow in peace." When I pointed this out to Wendy, she laughed and said, "Good for you, hardly anybody ever notices."

I felt so proud that, finally, my sensitive, appreciative side was revealing itself. "You do that with all your cakes?" I asked.
" Yep," she said while placing the cake on the rack with the other finished ones, "It's sort of a secret message to my customers."
"You mean like a subliminal thing."
"Yeah," she said, "I guess you could call it that."
"You mean that every cake that goes out of here has a secret message embedded in the frosting?" I was stunned, as I'd eaten plenty of Wendy's cakes and never noticed anything unusual in the decorations.
"Now don't go telling everybody." And she gave me one of those scornful, warning looks that spies receive before imparting on a top secret mission.

She let me see the cakes she decorated that day, and it took quite some time before any message revealed itself. One was for a fellow who liked to gamble, and among the frosted dice and playing cards was the small notation, "save your money." It almost looked like a trademark symbol. Another was for a woman who owned a dog, and embedded in the frosted doghouse were the words, "wag your tail." These messages were not easy to find among the swirls of frosting, and it was apparent that Wendy managed to extract clues for her writings from each of her customers.

I began to wonder if any of Wendy's customers unknowingly followed her advice. Did the gambler stop gambling, if only for a short while, and did the dog lady put some extra wiggle in her walk after eating the cake? I asked her about this and she said she tries to keep the messages positive, just in case. To test the theory, I asked her if she could make a small cake for my artist wife, and include a secret message that said, "sex with husband." She was more than a little apprehensive, but went ahead anyway, I think because, by accidentally stumbling onto her code, I'd become a member of her secret cake decorating society. "I'll let you know how this works out," I said while leaving the store with the cake box securely tied in string.

After dinner, upon presenting the cake, my wife gave me a big hug and exclaimed how pretty it looked. While admiring Wendy's work, I noticed that the secret message read "sleep with husband" instead of the requested "sex with husband." Around our house, "sleep" means just that, tired, pull the covers over your head and fade into dreamland. It was too late; there was nothing to do but wait. Very soon after eating the cake, we headed to the bedroom and changed into our pajamas. "That cake was beautiful. Thank Wendy for me," were the words she spoke while swiftly drifting off to sleep.

I returned to Wendy's the next day and told her how the secret message wasn't the secret message I requested, and instead of the intended aphrodisiac effect, it had a sleep-inducing effect, to which she replied that, for starters, she doesn't take requests. And secondly, I'd have to fill out a complaint form (of which there were none). To ease my disappointment, or perhaps to get rid of me, she decorated a free cupcake which I took home to examine, figuring there was a hidden message in there somewhere. It was her signature "cupcake grandeur," plenty big enough to house a secret or two. I looked at it from all angles and even squinted at it for a good half-hour, but could find nothing. I put it in the fridge and looked at it again the next day for about an hour, figuring a fresh approach would do the trick, then gave up and unwrapped the paper bottom and began to eat the cupcake. And there it was, written in pen on the bottom of the paper, "Some things are better left unsaid."

Artists, especially those who work in the ephemeral media of frosting, can be a little sensitive at times. By requesting the suggestive message on my wife's cake, I unknowingly intruded way too far into Wendy's secret cake decorating society. So I'm backing off, and the next time I need a cake, I'll act all nonchalant about it and pretend like the incident never happened. But to be sure, I'll be checking the cake for a sign that our friendship is on solid footing.